Ecco the Dolphin: The whole damn soundtrack.
Try Sonic Spinball, Comix Zone, and The Ooze.
Any soundtrack for a Sega Genesis game composed by Howard Drossin, most of which pushed the sound processor to its limits.
#Contra hard corps ost guitar medley movie
Some of the better tracks include the opening movie (and fanfare), the Underworld Theme, the boss music Those Who Stand In My Way, and the Final Boss music Overcoming Everything.Similarly, much of the soundtrack of Terranigma deserves mention here.Likewise, the final stage theme is a fitting climax, giving off the perfect feeling of "this is it.".The intro theme pretty much tells you right out of the gate that the game is going to kick ass.The sky stage music may be one of the best tunes in any shmup game ever.Area 88 (known in the West as UN Squadron) gives us the Forest Fortress theme.Daddy Mulk from The Ninja Warriors (1987) is one of the most awesome, catchy and unique songs ever.Hell, if we listed examples, the whole soundtrack would be here. Eek! The Cat for the SNES is a shining example of The Problem with Licensed Games, but its soundtrack was a different story, sometimes pushing the limits of the sound chip.Teenage Mutant Ninja Turtles: Turtles in Time: Sewer Surfin' and Technodrome - Let's Kick Shell!.The Mega Drive version of the final stage theme Rocket Man manages to be incredibly awesome with its heavy bass.Similarly, Nightmare Buzz sounds even more nightmarish. The Mega Drive version of Inside the Claw Machine is somehow even more awesome, replacing the piano line with a synth lead and making the drum line even more prominent.That Old Army Game, Nightmare Buzz, Buzz Battle, and Inside the Claw Machine from the SNES Toy Story Game.Then there's a Doujin metal version from the Newtype Destroyer album. While the gameplay may be okay at best, and the monsters nightmare fuel-inducing, the main thing that stands out is the AWESOME battle music. Last Armageddon is a game about Demons vs.What really saves the song for me is the synthy almost counterpoint stuff that goes on throughout the lyrics.This is the Awesome Music page for SNES, Genesis, Neo Geo, Turbografx-16, Jaguar etc. The solo at 2:04 is a synth solo which is a *good* thing (given the notes that are chosen, it works better as a synth than guitar, because it produces a futuristic feel that fits and allows some of the fast notes to have a consistent attack which would be difficult with a picked guitar solo given the note choices). An example of when the harmony really works is at 3:24 (tones more apparent in each voice and very smooth).Īll the synth stuff is niiiiiiice. When "one more time" is sung there, the lower voice has a "spoken" quality which would be great by itself but the melodic harmony clashes with it.I think the bottom voice needed to be more melodic in that section to go with the harmony or else cut out the harmony there. I did have problems with 1 section vocal-wise (0:55-0:57 and when it repeats later in the song). I can actually hear some of the emotion come through. Speaking of camparisons, I thought the sound of the vocals were much more appropriate here than in the singing robot. Whereas singing robot seemed almost too cutesy, this song flows nicely. I've heard "singing robot" and this is a step up from that.
0 kommentar(er)
